[The European Conservative] More History, Less Prejudice

In France, Jews and Arabs have been drifting hopelessly apart over the past 50 years. A Paris exhibit commissioned by one of the country’s leading historians hoped to build bridges.

“The Good Samaritan II” (1960), a 130 × 162 cm oil on canvas by Boris Taslitzky.



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Jorge González-Gallarza

A writer in Paris, Jorge's work has featured in The Wall Street Journal, National Review, The American Conservative, The National Interest and elsewhere.